Music from Aleppo during the Syrian War: Displacement and Memory in Hello Psychaleppo’s Electro-Tarab, by Clara Wenz

Dunya Habash is a Gerda Henkel Research Scholar and a Postdoctoral Research Associate at St. Edmund’s College, University of Cambridge. Her interdisciplinary research explores the intersection of aesthetics, the arts, forced migration, and cultural education in post-conflict settings. She completed a PhD in Ethnomusicology at the University of Cambridge in 2023. Following her PhD studies, Dunya worked as a Postdoctoral Research Associate at the Faculty of Education, University of Cambridge, from 2024–2025. She also co-convenes the Studies in Arts, Migration and Aurality (SAMA) Research Network at the Centre for Research in the Arts, Social Sciences and Humanities, University of Cambridge. She has published widely in various journals including the Journal of Refugee Studies, Human Organization, and the Journal of International Migration and Integration. Her research has been supported by the British Forum for Ethnomusicology, the Royal Musical Association, the Music & Letters Trust, and the Cambridge Trust.